The above is an old comment I left on a From the Narrow Desert post in which William explored stag-crucifix symbolism. I include it here because it connects well to Franz von Stuck -- a minor nineteenth-century German painter I've been studying -- and his take on the vision of St. Hubert.
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I like the stag-antler-crucifix symbolism because it includes the notion of actively pursuing something/following something to where you need to go, coupled with the reality that, ultimately, Christ is the "where" that you "need to go."
The above is an old comment I left on a From the Narrow Desert post in which William explored stag-crucifix symbolism. I include it here because it connects well to Franz von Stuck -- a minor nineteenth-century German painter I've been studying -- and his take on the vision of St. Hubert.
4 Comments
NLR
6/14/2026 22:14:02
Good painting; it is a mysterious looking scene. Von Stuck does a good job making the stag looks like he is inviting Humbert to follow him.
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Francis Berger
6/15/2026 10:02:21
@ NLR - I agree. I also like the way the horizon in the background -- the way the dull light frames the scene yet contrasts with the brighter glow of the cross between the stag's antlers.
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bruce g charlton
6/24/2026 23:48:16
Von Stuck is certainly a very striking and distinctive painter. The extreme intensity and concentration of some of his work makes me think of the qualities cultivated by ritual magicians.
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Francis Berger
6/25/2026 21:50:54
@ Bruce - That's interesting. I took a cursory look at Spare's work and was immediately struck by the thinly-veiled but massive ego that saturates his stuff. Von Stuck may have had quite a ego, too, but I don't pick that up in his work. I don't know if VS had any connection to ritual magic.
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